A Christian Theatre Manifesto: Part 3

(Read Part 1 by clicking here and Part 2 by clicking here) by John Ellis To my slight frustration, many of the directors, teachers, and writers that I look up to seemingly only go so far in practice. Thankfully, in word they’ve shown me the aesthetic path that my theatre practice has taken. For example, … Continue reading A Christian Theatre Manifesto: Part 3

A Christian Theatre Manifesto: Part 2

(Read Part 1 by clicking here) by John Ellis What does theology have to do with theatre? Well, theology and theatre are connected far more deeply than most people might assume. For many, whenever theology and art start being bumped together, one of two conceptual extremes are assumed: Art as a didactic evangelistic tool. Or, … Continue reading A Christian Theatre Manifesto: Part 2

A Christian Theatre Manifesto: Part 1

by John Ellis The prophet Ezekiel was the first experimental theatre artist. The oft-lauded, ancient Greek theatre gurus commercialized theatre. Maybe. To be honest, I can’t prove that the Greeks read the Old Testament prophets and then bastardized Ezekiel’s theatre theory; nor can I prove my claim that Ezekiel was the first experimental theatre artist. … Continue reading A Christian Theatre Manifesto: Part 1